In this paper we generalize an interpolation result due to J.-O. Strömberg and A. Torchinsky to the case of one-sided Hardy spaces. This generalization is important in the study of the weak type (1,1) for lateral strongly singular operators. We shall need an atomic decomposition in which for every atom there exists another atom supported contiguously at its right. In order to obtain this decomposition we have developed a rather simple technique to break up an atom into a sum of others atoms.

In this paper we study segmented strings in AdS3 coupled to a background two-form whose field strength is proportional to the volume form. By changing the coupling, the theory interpolates between the Nambu-Goto string and the SL(2) Wess-Zumino-Witten model. In terms of the kink momentum vectors, the action is independent of the coupling and the classical theory reduces to a single discrete-time Toda-type theory. The WZW model is a singular point in coupling space where the map into Toda variables degenerates.

Let X be a compact Khler manifold and X a subvariety of X with higher co-dimension. The aim is to study complete constant scalar curvature Khler metrics on non-compact Khler manifold X with Poincar--Mok--Yau asymptotic property (see Definition\ref {def}). In this paper, the methods of Calabi's ansatz and the moment construction are used to provide some special examples of such metrics.

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We study an efficient dynamic blind source separation algorithm of convolutive sound mixtures based on updating statistical information in the frequency domain, and minimizing the support of time domain demixing filters by a weighted least square method. The permutation and scaling indeterminacies of separation, and concatenations of signals in adjacent time frames are resolved with optimization of l 1 l norm on cross-correlation coefficients at multiple time lags. The algorithm is a direct method without iterations, and is adaptive to the environment. Computations on recorded benchmark mixtures of speech and music signals show excellent performance. The method in general separates a foreground source from a background of sounds as often encountered in realistic situations.